![\"\"](\"https:\/\/gregoryderville.com\/wp-content\/uploads\/2026\/01\/Julien-Gracq.jpg\")
<\/a><\/figure>\n<\/div>\n\n\nPour ma part, je ne sais pas composer ou jouer de musique, de m\u00eame que je ne sais pas \u00e9crire de romans ou de po\u00e9sie, et encore moins dessiner, peindre ou sculpter. Je n’ai aucune comp\u00e9tence en art, et j’en suis bien triste car j’aurais ador\u00e9. Je ne suis m\u00eame pas un \u00ab\u00a0expert\u00a0\u00bb : ma connaissance des \u0153uvres ou des artistes dont je parle est le plus souvent bien frustre et partielle, et j’essaye de me gu\u00e9rir de la pr\u00e9tention de savoir distinguer de fa\u00e7on s\u00fbre entre les \u00ab\u00a0p\u00e9pites\u00a0\u00bb, les \u00ab\u00a0vieilleries\u00a0\u00bb, les \u00ab\u00a0grosses merdes\u00a0\u00bb et les \u00ab\u00a0tr\u00e8s grosses merdes\u00a0\u00bb (plus pr\u00e9cis\u00e9ment, j’ai compris que ce qui est la p\u00e9pite de l’un est une tr\u00e8s grosse merde pour l’autre, et vice-versa ; le jugement artistique n’est pas une science exacte, encore heureux).<\/p>\n\n\n\n
Mes chroniques musicales sont tr\u00e8s peu lues, et c’est encore plus vrai depuis que j’ai cr\u00e9\u00e9 mon site Internet personnel et que je ne viens sur FB que pour y publier des liens vers mes posts. Je me doute que la plupart des personnes qui me suivent ne likent ou ne commentent que les morceaux qu’elles appr\u00e9cient d\u00e9j\u00e0, ce qui signifie sans doute qu’elles ne prennent pas le temps de lire mes textes (particuli\u00e8rement ceux que j’\u00e9cris \u00e0 propos de ce qu’elles n’aiment pas ou de ce qu’elles ne connaissent pas). J’avoue que \u00e7a me fait un peu de peine, mais je le comprends, bien s\u00fbr.<\/p>\n\n\n\n
Quoi qu’il en soit je continue, parce que j’aime toujours autant cet exercice\u00a0: j’aime parler des choses que j’aime, notamment de la musique, et j’aime aussi me documenter pour mieux les conna\u00eetre et pour mieux en parler.<\/p>\n\n\n\n
Je continue parce que \u00e7a me fait d\u00e9couvrir des artistes ou des \u0153uvres que je ne connaissais pas, ou re<\/em>d\u00e9couvrir des artistes ou des \u0153uvres que je croyais conna\u00eetre.<\/p>\n\n\n\n Je continue parce que \u00e7a me permet parfois des \u00e9changes \u00e0 distance avec des ami\u00b7es, que je connais ou pas dans la vraie vie, mais avec qui les \u00e9changes peuvent \u00eatre int\u00e9ressants, amusants ou \u00e9mouvants.<\/p>\n\n\n\n Si je continue \u00e0 \u00e9crire des chroniques, c’est aussi parce qu’en racontant pourquoi j’aime les morceaux que je partage, pourquoi ils me touchent, pourquoi ils me r\u00e9confortent, pourquoi ils me donnent de la joie ou du courage, je permets \u00e0 mes proches de mieux savoir qui je suis. Chaque d\u00e9but janvier, je rassemble les chroniques que j’ai \u00e9crites l’ann\u00e9e pr\u00e9c\u00e9dentes, je les mets en page avec des photos, et j’envoie le document \u00e0 mes enfants, parce que j’ai envie de leur transmettre mes go\u00fbts et mes passions, mais aussi parce que je trouverais triste qu’un jour ils se disent qu’ils n’ont pas eu l’occasion de savoir vraiment qui \u00e9tait leur p\u00e8re\u2026 Ces chroniques sont pour moi l’une des multiples mani\u00e8res de leur dire que je les aime jusqu’au ciel.<\/p>\n\n\n\n \/\/\/\/\/\/<\/p>\n\n\n Si le coeur vous en dit, vous pouvez retrouver toutes mes chroniques musicales sur cette page<\/a>, et les titres de ma playlist sur Spotify en cliquant sur le lien suivant, qui est public: https:\/\/open.spotify.com\/playlist\/1eirooR9IpwcHGDsS3c3ci<\/a> (il ne manque que quelques titres).<\/p>\n\n\n\n Et voici les 128 morceaux que j’ai chroniqu\u00e9s dans l’ann\u00e9e qui vient de s’\u00e9couler:<\/p>\n\n\n\n \u00ab\u00a0Seek it\u00a0\u00bb (Richard Hawley)<\/p>\n\n\n\n \u00ab\u00a0Les microsillons\u00a0\u00bb (Alain Chamfort)<\/p>\n\n\n\n \u00ab\u00a0Shanty\u00a0\u00bb (Slowdive)<\/p>\n\n\n\n \u00ab\u00a0Endsong\u00a0\u00bb (The Cure)<\/p>\n\n\n\n \u00ab\u00a0I see a darkness\u00a0\u00bb (Bonnie \u00ab\u00a0prince\u00a0\u00bb Billy)<\/p>\n\n\n\n \u00ab\u00a0Dancing with tears in my eyes\u00a0\u00bb (Ultravox)<\/p>\n\n\n\n \u00ab\u00a0Cortez the killer\u00a0\u00bb (Neil Young)<\/p>\n\n\n\n \u00ab\u00a0Il y avait un jardin\u00a0\u00bb (Georges Moustaki)<\/p>\n\n\n\n \u00ab\u00a0Set fire to the rain\u00a0\u00bb (Adele)<\/p>\n\n\n\n \u00ab\u00a0Peace piece\u00a0\u00bb (Bill Evans) \u2013 session de rattrapage<\/p>\n\n\n\n \u00ab\u00a0I don’t know why I love you\u00a0\u00bb (House of love)<\/p>\n\n\n\n \u00ab\u00a0Almost was good enough\u00a0\u00bb (Ohia)<\/p>\n\n\n\n \u00ab\u00a0Montfermeil\u00a0\u00bb (Lomepal)<\/p>\n\n\n\n \u00ab\u00a0Moments die\u00a0\u00bb (Joe Goddard)<\/p>\n\n\n\n \u00ab\u00a0Learning to fly\u00a0\u00bb (Tom Petty)<\/p>\n\n\n\n \u00ab\u00a0Get up, stand up\u00a0\u00bb (Bob Marley and the Wailers)<\/p>\n\n\n\n \u00ab\u00a0Message in a bottle\u00a0\u00bb (The Police)<\/p>\n\n\n\n \u00ab\u00a0La passion selon saint Matthieu\u00a0\u00bb \u2013 \u00ab\u00a0K\u00f6nnen Tr\u00e4nen meiner Wangen\u00a0\u00bb (Jean-S\u00e9bastien Bach \/ Philippe Herreweghe, Collegium Vocale Gent)<\/p>\n\n\n\n \u00ab\u00a0Underneath the sun\u00a0\u00bb (Bill Fay)<\/p>\n\n\n\n \u00ab\u00a0Killing me softly with his song\u00a0\u00bb (Roberta Flack)<\/p>\n\n\n\n \u00ab\u00a0Bahia\u00a0\u00bb (V\u00e9ronique Sanson)<\/p>\n\n\n\n \u00ab\u00a0Straight to you\u00a0\u00bb (Nick Cave)<\/p>\n\n\n\n \u00ab\u00a0Dirty boulevard\u00a0\u00bb (Lou Reed)<\/p>\n\n\n\n \u00ab\u00a0Enola Gay\u00a0\u00bb (Orchestral man\u0153uvre in the dark)<\/p>\n\n\n\n \u00ab\u00a0Dancing in the dark\u00a0\u00bb (Bruce Springsteen)<\/p>\n\n\n\n \u00ab\u00a0Don’t let me be misunderstood\u00a0\u00bb (Nina Simone)<\/p>\n\n\n\n \u00ab\u00a0Loveless love\u00a0\u00bb (The Feelies)<\/p>\n\n\n\n \u00ab\u00a0Kids in America\u00a0\u00bb (Kim Wilde)<\/p>\n\n\n\n \u00ab\u00a0Dark paradise\u00a0\u00bb (Lana del Rey)<\/p>\n\n\n\n \u00ab\u00a0Revoir un printemps\u00a0\u00bb (IAM)<\/p>\n\n\n\n \u00ab\u00a0Don’t say it’s over\u00a0\u00bb (Gaz Coombes)<\/p>\n\n\n\n \u00ab\u00a0Margaret on the guillotine\u00a0\u00bb (Morrissey)<\/p>\n\n\n\n \u00ab\u00a0The long and winding road\u00a0\u00bb (The Beatles)<\/p>\n\n\n\n \u00ab\u00a0Consert de different oyseaux\u00a0\u00bb (Georges Moulini\u00e9 \/ Le po\u00e8me harmonique)<\/p>\n\n\n\n \u00ab\u00a0Daniela\u00a0\u00bb (les Chaussettes noires)<\/p>\n\n\n\n \u00ab\u00a0While my guitar gently weeps\u00a0\u00bb (George Harrison \/ Prince & others far behind)<\/p>\n\n\n\n \u00ab\u00a0Le train bleu\u00a0\u00bb (Jean-Louis Murat)<\/p>\n\n\n\n \u00ab\u00a0Perfect skin\u00a0\u00bb (Lloyd Cole and the Commotions)<\/p>\n\n\n\n \u00ab\u00a0Morning theft\u00a0\u00bb (Jeff Buckley)<\/p>\n\n\n\n \u00ab\u00a0Just can’t get enough\u00a0\u00bb (Depeche Mode)<\/p>\n\n\n\n \u00ab\u00a0La ballade des gens heureux\u00a0\u00bb (G\u00e9rard Lenorman)<\/p>\n\n\n\n \u00ab\u00a0Silent running\u00a0\u00bb (Gorillaz)<\/p>\n\n\n\n \u00ab\u00a0Somewhere only we know\u00a0\u00bb (Keane \/ Lily Allen)<\/p>\n\n\n\n \u00ab\u00a0Broken\u00a0\u00bb (The Haunted youth)<\/p>\n\n\n\n \u00ab\u00a0Do you remember the first time?\u00a0\u00bb (Pulp)<\/p>\n\n\n\n \u00ab\u00a0It don’t mean a thing if it ain’t got that swing\u00a0\u00bb (Duke Ellington & Louis Armstrong)<\/p>\n\n\n\n \u00ab\u00a0Solitude des latitudes\u00a0\u00bb (G\u00e9rard Manset)<\/p>\n\n\n\n \u00ab\u00a0Diamonds are forever\u00a0\u00bb (Shirley Bassey)<\/p>\n\n\n\n \u00ab\u00a0Play for today\u00a0\u00bb (The Cure)<\/p>\n\n\n\n \u00ab\u00a0The drugs don’t work\u00a0\u00bb (The Verve)<\/p>\n\n\n\n \u00ab\u00a0La vie ne vaut rien\u00a0\u00bb (Alain Souchon)<\/p>\n\n\n\n \u00ab\u00a0More than this\u00a0\u00bb (Roxy music)<\/p>\n\n\n\n \u00ab\u00a0La fille aux cheveux de lin\u00a0\u00bb (Debussy \/ Arturo Benedetti Michelangeli)<\/p>\n\n\n\n \u00ab\u00a0Dancing queen\u00a0\u00bb (ABBA)<\/p>\n\n\n\n \u00ab\u00a0The sad punk\u00a0\u00bb (The Pixies)<\/p>\n\n\n\n \u00ab\u00a0Kahore He Manu E\u00a0\u00bb (Marlon Williams, feat. Lorde)<\/p>\n\n\n\n \u00ab\u00a0On the road again\u00a0\u00bb (Bernard Lavilliers)<\/p>\n\n\n\n \u00ab\u00a0Heirloom\u00a0\u00bb (Bj\u00f6rk)<\/p>\n\n\n\n \u00ab\u00a0To be alone with you\u00a0\u00bb (Sufjan Stevens)<\/p>\n\n\n\n \u00ab\u00a0Horses in my dream\u00a0\u00bb (PJ Harvey)<\/p>\n\n\n\n \u00ab\u00a0Tubular bells\u00a0\u00bb (Mike Olfield)<\/p>\n\n\n\n \u00ab\u00a0I am what I am\u00a0\u00bb (Gloria Gaynor)<\/p>\n\n\n\n \u00ab\u00a0Il faut toujours se dire adieu\u00a0\u00bb (G\u00e9rard Manset)<\/p>\n\n\n\n \u00ab\u00a0The epidemiologist\u00a0\u00bb (Pete Doherty & Fr\u00e9d\u00e9ric Lo)<\/p>\n\n\n\n \u00ab\u00a0Could it be magic\u00a0\u00bb (Barry Manilow)<\/p>\n\n\n\n \u00ab\u00a0One half of a dream\u00a0\u00bb (Piers Faccini & Ballak\u00e9 Sissoko)<\/p>\n\n\n\n \u00ab\u00a0Wrap your troubles in dreams\u00a0\u00bb (Hampton Hawes)<\/p>\n\n\n\n \u00ab\u00a0Safe from harm\u00a0\u00bb (Massive attack)<\/p>\n\n\n\n \u00ab\u00a0Paradis perdus\u00a0\u00bb (Jean-Louis Murat)<\/p>\n\n\n\n \u00ab\u00a0The more you ignore me, the closer I get\u00a0\u00bb (Morrissey)<\/p>\n\n\n\n \u00ab\u00a0Didi\u00a0\u00bb (Khaled)<\/p>\n\n\n\n \u00ab\u00a0Cruel summer\u00a0\u00bb (Bananarama)<\/p>\n\n\n\n \u00ab\u00a0Berceuse op. 57\u00a0\u00bb, 3\u00e8me mouvement (Fr\u00e9d\u00e9ric Chopin \/ Ir\u00e8ne Veneziano)<\/p>\n\n\n\n \u00ab\u00a0God only knows\u00a0\u00bb (The Beach boys)<\/p>\n\n\n\n \u00ab\u00a0Les \u00e9oliennes\u00a0\u00bb (Dominique A)<\/p>\n\n\n\n \u00ab\u00a0This is the sea\u00a0\u00bb (The Waterboys)<\/p>\n\n\n\n \u00ab\u00a0Attention\u00a0\u00bb (Charlie Puth)<\/p>\n\n\n\n \u00ab\u00a0Don’t stop ’til you get enough\u00a0\u00bb (Michael Jackson)<\/p>\n\n\n\n \u00ab\u00a0I should have known better\u00a0\u00bb (Wire)<\/p>\n\n\n\n \u00ab\u00a0Le temps qui reste\u00a0\u00bb (Serge Reggiani)<\/p>\n\n\n\n \u00ab\u00a0\u2026 Baby one more time\u00a0\u00bb (Britney Spears)<\/p>\n\n\n\n \u00ab\u00a0Peaceful place\u00a0\u00bb (Leon Bridges)<\/p>\n\n\n\n \u00ab\u00a0The ocean\u00a0\u00bb (Richard Hawley)<\/p>\n\n\n\n \u00ab\u00a0Most of the time\u00a0\u00bb (Bob Dylan)<\/p>\n\n\n\n \u00ab\u00a0Toda Menina Baiana\u00a0\u00bb (Gilberto Gil)<\/p>\n\n\n\n \u00ab\u00a0Le mec hamac\u00a0\u00bb (Matthieu Chedid)<\/p>\n\n\n\n \u00ab\u00a0Dear Prudence\u00a0\u00bb (The Beatles)<\/p>\n\n\n\n \u00ab\u00a0Changes\u00a0\u00bb (Girls in Hawaii)<\/p>\n\n\n\n \u00ab\u00a0Time of her time\u00a0\u00bb (Ride)<\/p>\n\n\n\n \u00ab\u00a0The girl I love is gone\u00a0\u00bb (Jay-Jay Johanson)<\/p>\n\n\n\n \u00ab\u00a0Voyage en Italie\u00a0\u00bb (Lilicub)<\/p>\n\n\n\n \u00ab\u00a0The logical song\u00a0\u00bb (Supertramp)<\/p>\n\n\n\n \u00ab\u00a0Rivers of Babylon\u00a0\u00bb (Sin\u00e9ad O’Connor)<\/p>\n\n\n\n \u00ab\u00a0Eye in the sky\u00a0\u00bb (Alan Parsons project)<\/p>\n\n\n\n \u00ab\u00a0Dear friend\u00a0\u00bb (Paul McCartney)<\/p>\n\n\n\n \u00ab\u00a0Sand river\u00a0\u00bb (Beth Gibbons)<\/p>\n\n\n\n \u00ab\u00a0Little darlin'\u00a0\u00bb (Benjamin Biolay)<\/p>\n\n\n\n \u00ab\u00a0Le p\u00e9nitencier (Johnny Halliday)<\/p>\n\n\n\n \u00ab\u00a0What a feeling\u00a0\u00bb (Ir\u00e8ne Cara)<\/p>\n\n\n\n \u00ab\u00a0O Children\u00a0\u00bb (Nick Cave)<\/p>\n\n\n\n \u00ab\u00a0Miss Sarajevo\u00a0\u00bb (Passengers aka U2)<\/p>\n\n\n\n \u00ab\u00a0Comfortably numb\u00a0\u00bb (Pink Floyd)<\/p>\n\n\n\n \u00ab\u00a0I want to go with dignity\u00a0\u00bb (Peter Perrett)<\/p>\n\n\n\n \u00ab\u00a0Soci\u00e9t\u00e9 tu m’auras pas\u00a0\u00bb (Renaud)<\/p>\n\n\n\n \u00ab\u00a0La vall\u00e9e d’Obermann\u00a0\u00bb (Franz Liszt \/ Aldo Ciccolini)<\/p>\n\n\n\n \u00ab\u00a0Pagan poetry\u00a0\u00bb (Bj\u00f6rk)<\/p>\n\n\n\n \u00ab\u00a0Countdown\u00a0\u00bb (Pulp)<\/p>\n\n\n\n \u00ab\u00a0Right where you left me\u00a0\u00bb (Taylor Swift)<\/p>\n\n\n\n \u00ab\u00a0Tainted love\u00a0\u00bb (Soft cell)<\/p>\n\n\n\n \u00ab\u00a0\u00c0 l’aube\u00a0\u00bb (Feu! Chatterton)<\/p>\n\n\n\n \u00ab\u00a0Every breath you take\u00a0\u00bb (The Police)<\/p>\n\n\n\n \u00ab\u00a0Inner city blues (make me wanna holler)\u00a0\u00bb (Marvin Gaye)<\/p>\n\n\n\n \u00ab\u00a0Rain falls for wind\u00a0\u00bb (The Sleepy Jackson)<\/p>\n\n\n\n \u00ab\u00a0I go to sleep\u00a0\u00bb (The Pretenders)<\/p>\n\n\n\n \u00ab\u00a0Nos deux noms\u00a0\u00bb (Michel Jonasz)<\/p>\n\n\n\n \u00ab\u00a0Boys don’t cry\u00a0\u00bb (The Cure)<\/p>\n\n\n\n \u00ab\u00a0Too shy\u00a0\u00bb (Kajagoogoo)<\/p>\n\n\n\n \u00ab\u00a0Je plains celui\u00a0\u00bb (Stephan Eicher)<\/p>\n\n\n\n \u00ab\u00a0Doo Doo Doo Doo Doo (Heartbreaker)\u00a0\u00bb (The Rolling Stones)<\/p>\n\n\n\n \u00ab\u00a0Leave in silence\u00a0\u00bb (Depeche Mode)<\/p>\n\n\n\n \u00ab\u00a0U got the look\u00a0\u00bb (Prince)<\/p>\n\n\n\n \u00ab\u00a0Something\u00a0\u00bb (The Beatles)<\/p>\n\n\n\n \u00ab\u00a0Keep the street empty for me\u00a0\u00bb (Fever Ray)<\/p>\n\n\n\n \u00ab\u00a0Tous les m\u00f4mes\u00a0\u00bb (Kent)<\/p>\n\n\n\n \u00ab\u00a0The greatest\u00a0\u00bb (Cat Power)<\/p>\n\n\n\n \u00ab\u00a0I just wanna be with you\u00a0\u00bb (Chris Rea)<\/p>\n\n\n\n \u00ab\u00a0Last Christmas\u00a0\u00bb (Wham!)<\/p>\n\n\n\n \u00ab\u00a0Jubilee street\u00a0\u00bb (Nick Cave)<\/p>\n\n\n\n \u00ab\u00a0Je d\u00e9teste ma vie\u00a0\u00bb (Pierre Lapointe)<\/p>\n\n\n\n <\/p>\n\n \u00ab\u00a0Une ann\u00e9e en #musique\u00a0\u00bb (cinqui\u00e8me saison): un petit bilan. Pour dresser le bilan de ma cinqui\u00e8me ann\u00e9e en musique, j’ai envie de commenter une petite formule que j’ai lue derni\u00e8rement…Continue readingUne ann\u00e9e en musique – Saison 5<\/span><\/span><\/a><\/p>\n\n<\/a><\/figure>\n<\/div>\n\n\n\n <\/div>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"\n <\/div>\n <\/div>\n<\/div>\n","protected":false},"author":1,"featured_media":14054,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[81],"tags":[],"class_list":["post-14053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique"],"_links":{"self":[{"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/posts\/14053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/comments?post=14053"}],"version-history":[{"count":14,"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/posts\/14053\/revisions"}],"predecessor-version":[{"id":14233,"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/posts\/14053\/revisions\/14233"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/media\/14054"}],"wp:attachment":[{"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/media?parent=14053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/categories?post=14053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregoryderville.com\/index.php\/wp-json\/wp\/v2\/tags?post=14053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}